|
|
Multi-function Cultural Centre "Creative City" in Brno
Mazurová, Lenka ; Schnapková, Radka (referee) ; Vojtová, Lea (advisor)
The aim of the Master thesis project is a reconstruction of former prison in Soudní street in Brno. The current building is a historical construction from 18th century and contains chapel. This building has an extension, which closes the block from the Bratislavská street. The prison has square layout with two inside yards and one yards between prison and the extension. The design contains new usage of the current spaces with extension of new floors on the prison building, demolition of the current extension from the Cejl street and construction of new building on created new space. On the current building is designed two floor structure from the Soudní street, the rest of the building has one floor. New administrative construction is connected with the old building by a bridge. The main purpose of new creative centre are spaces for artists, painters, architects, alternative actors, newspaper publishers, starting businessmen and other functions that relates to operation of the building. Other functions are living, permanent and temporary, atelier for public and cooking institute.
|
|
|
Jiri Trnka's Scenography in the National Theatre
Vöröšová, Markéta ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
Jiri Trnka (1912 - 1969) ranks among the foremost representatives of Czech modern art in the 20th century and alongside the most remarkable protagonists of the visual art scene over a period ranging from the late 1930s through the end of the1960s. He stood out within that movement for his multiple talents, as a draughtsman, book illustrator, puppet designer, painter, animated film-maker, sculptor and stage designer. He achieved admirable success in these fields of activity. In the early 40s a new prospect opened up for him connected with work in theatre, as he took up the post of stage designer at the National Theatre in Prague, an assignment which enabled him to put to use his specific talent for stagecraft. He created 13 stage decorations together. Trnka was able to create unforgettable productions thanks the cooperation with Jiri Frejka or Karel Dostal. I documented and explained Trnka's work in the context of the Nation Theatre during the Second World War. I defined his style in the relation to his contemporaries in the end of work. KEY WORDS Jiri Trnka, National Theatre, set designer, scenography, stage decoration, costume, properties, scene, 40s, space, stage, style, set, constructed set, stage design, didascalia, theatrical space, animated film.
|
|
|
Multi-function Cultural Centre "Creative City" in Brno
Mazurová, Lenka ; Schnapková, Radka (referee) ; Vojtová, Lea (advisor)
The aim of the Master thesis project is a reconstruction of former prison in Soudní street in Brno. The current building is a historical construction from 18th century and contains chapel. This building has an extension, which closes the block from the Bratislavská street. The prison has square layout with two inside yards and one yards between prison and the extension. The design contains new usage of the current spaces with extension of new floors on the prison building, demolition of the current extension from the Cejl street and construction of new building on created new space. On the current building is designed two floor structure from the Soudní street, the rest of the building has one floor. New administrative construction is connected with the old building by a bridge. The main purpose of new creative centre are spaces for artists, painters, architects, alternative actors, newspaper publishers, starting businessmen and other functions that relates to operation of the building. Other functions are living, permanent and temporary, atelier for public and cooking institute.
|
|
|
Pracovní stůl pro výtvarnou činnost
Benešová, Anna
The aim of this work is to design and create a working prototype of work desk for the artist, designer, and illustrator. As an inspiration is used a traditional craft in conjunction with an industrial style. The leading idea was to create an efficient workspace for unconventionally-minded creator of the Arts, who appreciate the original concept of the furniture in connection with an ingeniously conceived practicality.The theoretical part provides a brief survey of the development of table furniture, requirements and standards important when designing office desks, general typing of a table furniture and other guidance that you need to know before the start of designing the desk. The practical part uses the summarized information to create the draft itself. The whole production process is described, and all this is accompanied by pictorial documentation that helps readers understanding and orientation in the topic. The final version is presented in the form of drawings, 3D model and prototype in scale 1: 1.
|
|
|
Jiri Trnka's Scenography in the National Theatre
Vöröšová, Markéta ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
Jiri Trnka (1912 - 1969) ranks among the foremost representatives of Czech modern art in the 20th century and alongside the most remarkable protagonists of the visual art scene over a period ranging from the late 1930s through the end of the1960s. He stood out within that movement for his multiple talents, as a draughtsman, book illustrator, puppet designer, painter, animated film-maker, sculptor and stage designer. He achieved admirable success in these fields of activity. In the early 40s a new prospect opened up for him connected with work in theatre, as he took up the post of stage designer at the National Theatre in Prague, an assignment which enabled him to put to use his specific talent for stagecraft. He created 13 stage decorations together. Trnka was able to create unforgettable productions thanks the cooperation with Jiri Frejka or Karel Dostal. I documented and explained Trnka's work in the context of the Nation Theatre during the Second World War. I defined his style in the relation to his contemporaries in the end of work. KEY WORDS Jiri Trnka, National Theatre, set designer, scenography, stage decoration, costume, properties, scene, 40s, space, stage, style, set, constructed set, stage design, didascalia, theatrical space, animated film.
|
|
|
Alois Toufar as an artist and educator
KŘIVÁNKOVÁ, Lucie
This thesis deals with a significant art teacher and painter Alois Toufar. It monitors progress of his professional activity with emphasis on the term "Brtnicky krouzek" as well as territory of Toufar´s not only professional activity. As opposed to all the other published and rather patchy works about Alois Toufar, this thesis essentially uses oral information sources, which in result give much more stereoscopic images about the life of Alois Toufar as a significant person in art education with not only regional importance. Expected benefit of this thesis is the improvement of current ability of children's speech and particularly mapping life and career of significant personality of art education, which is not too exposed today.
|
guest ::
